Twenty-five films from twenty-five European countries by twenty-five European directors.

A satirical series verifying myths connected with Polish capitalism and the cult of "making money". The director, showing from behind the scenes the world of the native financial elite, portrays its ridicule, snobbishness and complexes. The name "the tiger of Europe", which is described by international media as Poland from time to time, is largely due to clever tax fraudsters, smugglers and various "bums". Over the last ten years, they have made not only jealous giant fortunes, but also their own model of culture and customs. A model that mercilessly exposed their intellectual poverty and primitivism. It is from this model that Gruza laughs first of all, proving that if the "tigers of Europe" had been deprived of money, they would have been at most the wretched cats feeding on rubbish cans.

Aiko, a bar hostess, falls for the son of a company president who also keeps a mistress, and whose family disapproves of his relationship with the bar hostess.

DC bureaucrat by day, drag queen by night, Muffy Blake Stephyns follows her dream of leading a group of vibrant performers on a crusade for the community.

Internal strife ensues for two decades as three family members vie for control over a large South Korean conglomerate.

Empire of Dirty quite literally starts things off with a flash and a bang, and the action and suspense is sky high from there. The suspense is the most palpable as the viewer will crave the answers more than the man fighting the guards. Why is he there? Why is he shooting everyone? Why is this the path he needs to take? Vomiting demons, writhing serpents, and the unrepentant voice of one’s reckoning act as a court of justice for this fellow.

The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.

In post-nuclear "New Idaho," a lone warrior teams up with a girl to help rescue the girl's sister from a hostile warrior clan.

Two men from the Partition generation — Ishar Das Arora, an Indian Hindu who migrated from Pakistan to India, and Iqbal-ud-din Ahmed, a Pakistani Muslim who made the opposite journey — share childhood memories of their experiences while playing a board game. As the two men unpack their memories, audiences embody the experience of a 7-year-old child at key points in the migration. Child of Empire offers a powerful counter-narrative that lends a fresh perspective on the effects of forced migration on everyday individuals.

Illustrator Dame Darcy (Meat Cake) stars as Clara One-Arm, an overwrought young woman who's trapped in her room and tormented by a trio of puppets, a ghost from her past, and a crazed nurse brandishing a monstrous needle. All of this shot like some psychotic's vision of a 20's silent movie, complete with tinted stock, beautifully expressionistic sets, and an appropriately eerie soundtrack by Eric Hammer